Television

The world of Television has profoundly evolved over the past few years: development of reception modes, increased numbers of available channels. As a result, processing television data has become increasingly complex. In such a context, we provide comprehensive program coverage for our customers while at the same time maintaining and improving the quality and editorial pertinence of the supplied information.
- We supply over 300 channels in France, Belgium, Switzerland and DOM-TOM (French Overseas Departments and Territories). with partners in European countries enabling us to further develop our service as required;
- We provide unequalled editorial information wealth with the attribution of specific format and style to each program, and program indexes offering different summary types and sizes;
- We implement meticulous and comprehensive procedures to control Broadcast Information (Direct, CSA, HD…) as well as information updates right until broadcasting time.
Unique Databases
For over 20 years now, we have been committed to completing and updating our TV Databases on a daily basis. Today, our Documentary Database is both fully comprehensive and unique:
- Over 50,000 classified and detailed films
- 4,700 series and over 140,000 episodes
- Over 64,000 documentaries
- 13,000 concerts
- Etc.
Our Image Database comprises over 130,000 illustrations stored in their original format and indexed with precision. A standard image format (352×272 in 72dpi) enables mass online support feeding.
Personalized Service for Our Customers
We deliver programs:
- In the form of Information threads: XML flux, DTP flux, Xpress or InDesign;
- In the form of print-ready DTP pages: our teams then work as delegated editors to meet the requirements of each client.
We provide our customers with a secure Extranet system, enabling them to:
- Access TV programming three weeks prior to broadcasting;
- Archive their own data – quotations, reviews, selections, summaries… – data which will then be integrated into the flux of supplied programs (or edited pages).
This service is also available for Arts & Entertainment agenda data (cinema, theater, music…)



Christopher Nolan fait de Leonardo DiCaprio, d’une sobriété exceptionnelle, un extracteur de rêves qui doit gérer un lourd passé familial : la mort de sa femme (Marion Cotillard). Avec ce thriller labyrinthique, le réalisateur de The Dark Knight prouve de manière éclatante qu’il est un auteur qui compte à Hollywood. Scénario à strates et pourtant limpide, références visuelles à Kubrick (2001, l’odyssée de l’espace, Shining) : ce blockbuster ambitieux sur le pouvoir de l’illusion détonne dans sa catégorie. Manque peut-être un peu d’émotion pour être complètement conquis. M.H.
En compagnie de ses stars, Tom Cruise et Cameron Diaz, James Mangold (Walk the Line) se lance avec un plaisir communicatif dans la comédie d’action à l’ancienne. L’histoire ? Roy Miller (Cruise, dans un bel exercice d’auto-parodie) est un espion pourchassé par sa hiérarchie, qui entraîne dans sa fuite une Américaine sans histoires (Cameron Diaz, enfin débarrassée de ses mimiques). Au final : un film d’aventures trépidant, qui enchaîne les courses-poursuites, se joue des frontières (Espagne, Autriche, une île déserte…) et n’hésite pas à manier le second degré. M.H